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Wednesday, December 16, 2009

Software Licenses: What’s Your Plan?

Software vendors frequently come under fire for their licensing and pricing practices. I’m not going to say that this is entirely unjustified, but I will assert that there are many issues relevant to this discussion.

There are many ways to acquire software licenses. Buyers, as well as vendors, have the obligation to consider more than one licensing plan for any given application. In the world of enterprise software, ERP especially, the nature of the license itself is as important as the functionality, features and benefits built into the product.

Recently, I read a blog posting opining that business software vendors should simply give away licenses and then base their fees on actual value delivered downstream. The real issue addressed by the author was the large upfront fee changed by vendors. This fee is typically associated with the acquisition of the software license itself. The downstream fees are typically associated with maintaining the software via updates and to some degree enhancements in the future.

The writer made the point that these initial fees are charged at a time when the product is delivering zero value because ERP software does not start delivering value until it is installed, deployed and functioning. The piece then implied that this was the only licensing model alternative available for on-site installed software. The message was that the onsite model was dead unless vendors would just waive the initial fees and charge for ongoing maintenance. The author maintained that the only real alternative was the SaaS (software-as-a-service) model.

The SaaS model makes great sense for some companies, but it is by no means the only alternative for companies wishing to acquire software usage rights without paying huge upfront fees. There are other alternatives. Many of which carry the added tax benefit of being treated as an operating expense from an accounting point of view.

Some of the more popular alternatives would include the following:

Subscription License – These licenses offer the user all the flexibility of any onsite installed software license, without the big upfront fee. The agreement is a subscription, just like a magazine subscription or a video subscription service. You take custody of the software and documentation. The product is installed on your hardware, accessed and operated by your own personnel and you use it as needed according to the provisions in a usage agreement. You will make monthly or at least periodic payments in order to maintain the license over time. When the product is judged to be without further value, you simply de-install the software and opt to not renew the license.

Software Leases – Similar to the subscription license, the software lease builds all of the applicable fees associated with product usage (sometimes including implementation fees) into a neat periodic payment. Again, you have custody of the code but there is no big upfront fee. You make the lease payments and you use the product according to your usage agreement. When you are done with the software, de-install it and do not renew the lease.

Software Rentals – It is the same concept, different name and slightly different implications from a Financial Accounting Standards Board or accounting point of view. You use the product as long as it serves a need and delivers value. Then you dump it and you do not renew the rental agreement.

Software Financing – Another alternative is to finance the initial license fees over an extended period. Some vendors offer internal financing plans that preclude the need to involve outside or third party funding sources. You will pay interest for this regardless of where your funding comes from. Software vendors tend to look at this as a convenience service and will typically try to resell the paper. This means your ultimate funding source will likely be a third party anyhow.

Multiple Year Usage Agreement – In some cases, users can benefit from a multiple-year usage agreement. These incorporate all fees into a single payment plan over a specific term. The terms and conditions associated with these agreements vary widely, but the benefit is a fixed expense line over an extended usage term.

All of these plans offer the user full onsite control of the product and access to the product. All avoid the large upfront fee payments found with traditional software license acquisition pricing models. None of these plans requires the user to continue usage or payments beyond a point where the product is no longer delivering value to the user’s enterprise.

The user does need to be careful evaluating the term, scope and other usage variables before putting a signature on a contract. There should be some flexibility built into the agreement, but ultimately, payments are fixed for the term of usage agreed to.

SaaS is a great option for some companies, but companies simply wishing to flatten out expense lines would do well to evaluate other alternatives as well. Software vendors are always anxious to find ways to make their solution work for you, and alternative licensing plans can be exactly what you need to get the best solution available for your needs.

Courtesy – Lou Washington

Monday, December 14, 2009

The Dark Knight vs. Aliens and Terminators … a Business Case Study?

How a little media exposure can increase your prospects in a big way

COMICCON

EDITORS NOTE: Marsha Friedman, CEO of the National PR firm EMSI, author of the new book “Celebritize Yourself,” and a long-time Expert Access contributor, originally sent me this content in an email – because she knows I love comics and cartoons. Unbeknownst to her, after I read it, I decided her email, with a little Steveditorial Monomythologizing would make a great story. Not often you can mix Batman, aliens and terminators in a business article. The facts below are all Marsha’s.  The Heroes Journey motif is an editorial crib from Joseph Campbell, with a tip of the archetypal hat to Carl Jung as well. — Steve Kayser

ENTER: MARSHA FRIEDMAN

call

AND THE CALL TO ADVENTURE

In July of 2009, our agency played a behind-the-scenes role in a battle that pitted The Dark Knight against Aliens and Terminators.

It started with taking on the PR campaign of one of Hollywood’s most successful but lesser-known producers, and giving him a high enough profile to stand toe-to-toe with Hollywood hit-maker James (The Terminator, Titanic) Cameron.

Our client, Michael Uslan, executive producer of blockbuster movies like Constantine, Batman, Batman Begins and The Dark Knight, was headed to Comic-Con International in San Diego to announce a variety of projects and his new company.

To set the stage, let me try to describe the enormity of Comic-Con. More than 140,000 people attend every year, on a show floor packed with movie studios, book publishers, Internet companies, media firms, television networks and, of course, there are comic book publishers there too.

IT WASN’T REALLY A DARK AND STORMY KNIGHT BUT …

dark

Celebrities like Steven Spielberg, Keanu Reeves, Johnny Depp, Tim Burton and hundreds of others routinely walk the floor and hold panel discussions. More than any other Hollywood trade show, Comic-Con is where movie studios debut new footage, previews and announcements of every movie genre and type. This year would be no different.

THERE WERE AVATAR-LIKE ICEBERGS RUMORED IN THE COMIC-CON SEAS

James Cameron, producer and director of landmark movies like The Terminator, Aliens, Terminator 2: Judgment Day, The Abyss and Titanic, would be the centerpiece of this year’s convention. For the last five years, he has been working on a 3-D animated film called Avatar, and he was debuting the very first footage from that upcoming blockbuster at Comic-Con.

AND THE HEROES JOURNEY REALLY BEGAN (Cribbed from Joseph Campbell’s Heroes Journey … Who cribbed it from Carl Jung)

Road of Trials

This was great news for movie fans, but bad news for Michael Uslan, whose solo panel discussion was scheduled against Cameron’s presentation.

THE ROAD OF TRIALS

Our challenge was clear – we needed to populate our client’s panel, who was assigned a 750-seat room in the far wing of the convention center. So, not only did the panel have stiff competition, but it would also be a trek for conventioneers to walk to the venue.

IN THE BELLY OF THE WHALE

What’s worse, the show was only two weeks out.

THE MEETING WITH THE GODDESS

We hit the ground running. The first thing to do was get Michael on the air, pronto. So within a day, we booked him on Fox Business Network’s “Opening Bell” with Alexis Glick.

michaeluslan

Alexis and her husband are both huge comic book fans, and she loved having him on the show so much, she did an additional offline interview with him after the taping, and wrote a special blog about his appearance for the Fox Business News website.

THE MAGICAL FLIGHT

Next, we needed to immediately book him some national radio. We scored an hour-long interview on the “X-Zone,” hosted by Rob McConnell that airs on 160-plus stations nationwide.

The same day as his “X-Zone” interview, we pitched print and online media that caters to fans of movies, TV shows, comics and science fiction. The result was 40-plus web clippings widely circulated among the fanbase.

CROSSING THE THRESHOLD

As soon as Michael arrived in San Diego, we had him scheduled on the local Fox affiliate and two other local TV affiliate stations prior to his panel discussion. The stations were provided the schedule for Comic-Con, and ran the schedule as a crawl under the live interviews.

DESCENT INTO THE UNDERWORLD

descent

And then came Friday afternoon, July 24.

I stepped lightly as I made the trek to panel rooms 7A and 7B, a combined venue that would look cavernous if it was empty.

THE ULTIMATE BOON

As I turned the corner, I saw a line of fans that stretched around the corner, and by the time the panel began, there wasn’t an empty seat in the house, and a dozen or so people were standing through the entire discussion.

So, armed with a little bit of radio coverage, a little bit of print and a saturation of local television appearances, we were able to help Michael hold his own against a popular rival in the most important show of the year!

END

Flickr photo 2 courtesy of Java Cafe
Flickr photo 3 courtesy of Vidular
Flickr photo 4 courtesy of H. Kopp Delaney

About the Author

Marsha Friedman is a prominent business woman, radio personality, speaker, and publicity expert. Marsha is the CEO of EMSI (Event Management Services, Inc) which she launched in 1990. Since then she has firmly established the company as a major public relations player for a diverse group of clients ranging from Jimmy Hoffa, Jr. to National Security Advisor Robert McFarlane to the famous Motown Group, the Temptations. EMSI represents corporations with consumer-related products and authors and experts in a wide range of fields such as, politics, finance, law, music, food, fitness, and healthcare. Contact Information: Tel: 727-443-7115, Extension 201 Website: http://www.emsincorporated.com Marsha Friedman, CEO 1127 Grove Street, Clearwater, FL 33755